Showing posts with label archives. Show all posts
Showing posts with label archives. Show all posts

Monday, March 2, 2009

Blog 5: MPLP

Greene, Mark A. and Dennis Meissner. 2005. "More Product, Less Process: Pragmatically Revamping Traditional Processing Approaches to Deal with Late 20th-Century Collection." American Archivist, 63.2 (Fall/Winter). Pre-print available online at: http://ahc.uwyo.edu/documents/faculty/greene/papers/Greene-Meissner.pdf

Archival work is defined by the paradoxical challenges inherent to archival materials. One of the most pernicious of these paradoxes is the perceived binary conflict between preservation and access. Greene and Meissner's article responds to the problem of backlogs in archives. In these authors' view backlogs are due in large part to overly-fastidious processing habits that derive from object-level orientation. The article characterizes processing archivists and conservators as OCD housekeepers, needlessly terrorized by paper clips and staples. They are also depicted as hoarders whose concern for the materials' condition impedes access by researchers. It is no wonder, then, that processing archivists and conservators often object to the mantra of "More Product Less Process." The authors would have been well-advised to consult with some of the folks they chastise, if only to soften the blows and prevent (rhetorical) reprisals.

Lost in the instinctive ruffling-of-feathers, are some manifestly useful ideas, based on systematic observations, including feedback from archivists and patrons of archives. Bracing pronouncements can provoke fruitful debates about what kinds of practices can be modified and streamlined. The most important theme that can be derived from pragmatic archival theory, such as that espoused by Greene, is the responsibility of the archivist to act as a steward not just for collection materials but also of the financial and other resources allotted. As these resources dwindle, it is imperative that archives justify their existence and work at every level. It should be on the conscience of every archivist that he/she use time and materials wisely. In order to do this, stepping back and examining current processing practices may be in order both to eliminate waste and emphasize effective practices. Some habits may be kept and others relinquished as the overall workflow is streamlined.

Anecdotally, it seems to me that refoldering is perhaps too much maligned by Greene and Meissner. It is an important exercise in establishing both physical and intellectual control over the materials. In my personal experience, during the refoldering process previously unknown significant documents are discovered, sensitive information identified for restriction/redaction, and severely damaged objects in need of treatment are observed. With personal papers, often the vaunted "original order" means no order at all, so even if an alternative arrangement is not imposed, at least the processor could make useful observations in the course of rehousing that could inform the finding aid, much like the "preliminary" processing mentioned in the article (19). Lacking or otherwise uninformative finding aids, coupled with archival staff who also have no idea what's in all those boxes can be a greater impediment to access than the dreaded "backlog."

Returning briefly to the paradoxical nature of archives, we must remember that the purpose of archives is to preserve AND provide access to cultural heritage documentation. This is not an either/or proposition. It is important to recognize that preservation serves access, and use (via access) justifies preservation. And we cannot provide access to objects that no longer exist. So, the two are inextricably bound to one another, rather than competing.




Wednesday, February 4, 2009

Assignment 3: Notes from Initial Visit to Suida-Manning Papers at Blanton Museum

Date: 2/2/2009
Location: Museum Archives, The Blanton Museum
Purpose: Meet to discuss preservation needs assessment for Suida-Manning Collection

Participants:
Sue Ellen Jeffers, Museum Registrar, Blanton Museum
Elizabeth Seramur, Student, School of Information
Elspeth Healey, Student, School of Information

PICTURES:




QUESTIONS & ANSWERS

Q: What does custodian hope to achieve in terms of the collection?

A: Ideally, SEJ would like to establish some degree of intellectual and physical control over the collection, making the materials available to researchers. With respect to the preservation needs assessment, this process could lay the groundwork for future archival processing by determining whether any hazardous conditions exist, the amount of materials needed for rehousing, and the types of materials present. SEJ does not anticipate allocating funds for conservation treatment beyond rehousing activities. Some rehousing may be done by undergraduate work study, or graduate archives students.

Q: What is the size and scope of the collection?
A: The collection materials currently occupy the following :

13 Metal Filing Cabinets:

  • 12 four-drawer metal filing cabinets measuring 15 in x 25 in x 52 in
  • 1 four-drawer cabinet measuring 18 in x 29½ in x 52 in

38 Flat Metal Edge boxes:

  • 25 x 17 x 21 x 3 in
  • 6 21 x 25 x 3 in
  • 4 15¼ x 11¾ x 3 in
  • 2 19 x 25 x 3 in
  • 1 15 x 19 x 3 in
Original Letter Boxes and additional material on shelving:
  • 42 in x 88 in x 16 in shelving
  • 42 inc x 35 in x 16 in (minus half a shelf)

According to SEJ, collection is made up of approximately 50% photographic materials (prints, glass lantern slides, etc.; most appear to be black-and-white, possible non-photographic photomechanical reproduction techniques observed, pending identification) and 50% manuscript materials (correspondence, notes, etc.). Collection appears to comprise a mixture personal and professional records for William Suida (1877-1959) , his daughter Bertina Suida Manning (d.1992), and her husband Robert Manning (d. 1996) including historical materials dating back to the 19th Century. Languages in evidence so far include English, French, and German.

Q: What are the evident current conditions/possible areas of concern?

A: Most of the materials were transferred from cardboard boxes to metal filing cabinets and flat, metal edge manuscript boxes. Some materials remain in original housings such as cardboard boxes and leather folders. SEJ destroyed obviously moldy materials upon accessioning, but some moldy materials may exist. Conditions range from crammed in and overstuffed to falling over due to excess space. Dust is also a problem, particularly with respect to the glass lantern slides. Overall climate appears to be controlled.

Q: What supplies will we need?

A: Gloves for handling photos and potentially moldy items, respirator/mask for dealing with possible mold spores, compressed air for dusting, microspatula for separating pages, measuring tape, and a loupe. Additionally, sticky notes will be necessary to identify materials numerically.

Q: Where will we be working regularly?

A: SEJ has a rolling cart which we can use to transport materials into the Museum Registrar's workspace, located in another room.